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Dinah Felix (known as Melanie Emilia), Rachel's sister, in costume of a maid, c1865. Creator: Pierre Francois Eugene Giraud

Dinah Felix (known as Melanie Emilia), Rachel's sister, in costume of a maid, c1865. Creator: Pierre Francois Eugene Giraud


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Dinah Felix (known as Melanie Emilia), Rachel's sister, in costume of a maid, c1865. Creator: Pierre Francois Eugene Giraud

Dinah Felix (known as Melanie Emilia), Rachel's sister, in costume of a maid, c1865

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Media ID 36224487

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Apron Arms Folded Carnavalet Museum Maid Eugene Giraud Musee Carnavalet Paris Museums Pierre Francois Eugene Giraud Posture


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> Arts > Artists > G > Eugene Giraud

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > France > Paintings

> Europe > France > Paris > Fashion

> Europe > France > Paris > Museums > Musee Carnavalet


EDITORS COMMENTS
This evocative oil painting, titled "Dinah Felix (known as Melanie Emilia), Rachel's sister, in costume of a maid, c1865," is a captivating work of art created by the renowned French painter Pierre Francois Eugene Giraud. The portrait depicts a young woman, identified as Dinah Felix, also known as Melanie Emilia, standing in a full-length pose while dressed in the attire of a maid. The maid's uniform consists of a high-waisted, voluminous skirt, a white blouse with lace collar, and an apron adorned with intricate floral designs. The woman gazes directly at the camera with a confident and poised expression, her arms folded across her chest, adding an air of strength and self-assurance to her demeanor. The painting is a testament to the elegance and sophistication of 19th-century French fashion, with the rich colors and textures of the maid's costume bringing the image to life. The painting is part of the extensive collection of the Carnavalet Museum in Paris, one of the city's most prestigious museums dedicated to the history of Paris and its people. The museum, which was founded in 1882, is a treasure trove of historic art and artifacts, and this painting is just one of the many gems that can be found within its hallowed halls. The painting's setting and subject matter evoke the concept of the "maid as a symbol of domesticity and service," a common theme in 19th-century art. The maid's uniform, with its practical yet ornate design, reflects the balance between the functional and the decorative aspects of women's clothing during this period. Overall, this painting is a stunning example of the artistic and historical significance of fashion and clothing during the 19th century in France.

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