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The Disgrace of Lord Clarendon 1667 (1905)

The Disgrace of Lord Clarendon 1667 (1905)


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The Disgrace of Lord Clarendon 1667 (1905)

The Disgrace of Lord Clarendon after His Last Interview with the King in Whitehall Palace, 1667 (1905). Edward Hyde, 1st Earl Clarendon was King Charles IIs Chief Minister after the King`s Restoration. His downfall came about after the realm was struck in quick succession by the Great Plague and Fire of London and the successful Dutch naval raid on the Medway. From Cassells History of England, Vol. III, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

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Media ID 14967621

© The Print Collector

Abuse Charles Ii Clarendon Disgrace Dismissal Dismissing Downfall Earl Of Clarendon Edward Edward Hyde Edward Matthew Edward Matthew Ward Hyde King Charles Ii King Of Great Britain And Ireland Leaving Lord Chancellor Minister Restoration Stewart Stuart Ward Whitehall Whitehall Palace City Of Westminster


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> Arts > Artists > C > King Charles

> Arts > Artists > L > Charles Leaver

> Arts > Artists > W > Edward Matthew Ward

> Arts > Fine Art

> Europe > France > Paris > Fashion

> Europe > France > Paris > Politics

> Europe > Republic of Ireland > Paintings

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > City of Westminster


EDITORS COMMENTS
The Disgrace of Lord Clarendon 1667 (1905) captures a pivotal moment in British history, as depicted by Edward Matthew Ward. This striking print showcases the downfall of Edward Hyde, 1st Earl Clarendon, who served as King Charles II's Chief Minister during the Restoration period. The image portrays Lord Clarendon after his final meeting with the King at Whitehall Palace in 1667. The painting symbolizes a turning point for England, marked by a series of catastrophic events that shook the nation to its core. The Great Plague and Fire of London devastated the realm, followed by a humiliating Dutch naval raid on the Medway. Ward's artwork skillfully reflects both political and personal turmoil through meticulous attention to detail. The composition features various individuals dressed in elaborate costumes representative of seventeenth-century fashion and status. Amidst this backdrop, Lord Clarendon stands tall but visibly burdened by his responsibilities. This historical piece serves as a reminder of how quickly fortunes can change within politics and society at large. Lord Clarendon's dismissal from office represents not only his personal disgrace but also signifies broader shifts in power dynamics during this transformative era. As viewers contemplate this print, they are transported back to an important chapter in British history—a time when resilience was tested and new paths were forged amidst adversity.

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