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Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50. Creator: Utagawa Kuniyoshi. Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
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Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50. Creator: Utagawa Kuniyoshi. Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50
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Media ID 36213050
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Action Arm Raised Chuban Filial Piety Ichiyusai Kuniyoshi Kuniyoshi Utagawa Legend Legendary Paragon Reaching Out Scholar Utagawa Kuniyoshi Utagawa School Virtue Color Woodblock Print Young Man
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Dong Yong, also known as To Ei, is depicted in this stunning 19th century woodblock print by the renowned Japanese artist Utagawa Kuniyoshi. The image is part of Kuniyoshi's series
EDITORS COMMENTS
Twenty-four Paragons of Filial Piety in China," which celebrates the selfless devotion and loyalty of individuals towards their families and ancestors. In this print, Dong Yong is shown reaching out with an outstretched arm, gesturing towards a green-colored vessel. The legend behind this paragon's story tells of his unwavering commitment to his mother, even in the face of great adversity. Dong Yong's mother was gravely ill and begged her son to find a rare herb to save her life. Despite numerous obstacles and setbacks, Dong Yong persevered, eventually obtaining the herb and saving his mother's life. The green color in the print represents the life-giving essence of the herb, as well as the vibrant foliage of the lush landscape in which the scene unfolds. The image is rich in symbolism and emotion, reflecting the deep reverence for filial piety that was central to Chinese and Japanese cultural traditions during the Edo and Tokugawa periods. This powerful and evocative woodblock print is a testament to Kuniyoshi's artistic skill and mastery of the medium. It is a valuable addition to any collection of Asian art, and a reminder of the enduring power of the human spirit to overcome adversity through love and devotion." The Art Institute of Chicago is proud to house this beautiful and significant work in its collection, which is a testament to the institution's commitment to preserving and showcasing the artistic heritage of Asia. Visitors to the museum can view this print and other masterpieces from the collection in person, and learn more about the rich history and cultural significance of filial piety in Chinese and Japanese art.
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