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Dus Awtar, Caves of Ellora, India, early 19th century. Artist: William Woolnoth
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Dus Awtar, Caves of Ellora, India, early 19th century. Artist: William Woolnoth
Dus Awtar, Caves of Ellora, India, early 19th century. The village of Ellora is famous for its complex of cave temples. 34 Buddhist, Hindu and Jain temples and monasteries were cut out of the vertical rock of the Charanandri hills between the 5th and 10th centuries. The Buddhist caves were the earliest structures, created between the 5th and 7th centuries
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Cave Caves Caves Of Ellora Ellora Caves Hindu Hinduism Jainism Maharastra William Woolnoth Woolnoth Ellora Hindoostan
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Dus Awtar, Caves of Ellora - A Glimpse into India's Ancient Spiritual Legacy
EDITORS COMMENTS
. This print by William Woolnoth transports us to the enchanting village of Ellora in early 19th century India. The image captures the awe-inspiring complex of cave temples that have made this place famous. The caves, carved out of the vertical rock formations known as Charanandri hills, stand as a testament to human ingenuity and devotion. Dating back between the 5th and 10th centuries, these remarkable structures encompass 34 Buddhist, Hindu, and Jain temples and monasteries. Woolnoth's lens takes us deep into one such cave temple called Dus Awtar. Inside its sacred walls lies an intricate world of artistry and spirituality. The artist skillfully captures the essence of this ancient space with his masterful use of light and shadow. As we gaze upon this monochrome masterpiece, we are transported to a realm where religion intertwines with nature. The delicate engravings on stone depict gods and goddesses from various Indian traditions – Hinduism, Buddhism, Jainism – each representing different facets of divinity. This print not only showcases Woolnoth's artistic prowess but also serves as a window into India's rich cultural heritage. It reminds us that even in the modern era, these magnificent caves continue to inspire awe and reverence among visitors from around the world who seek solace or marvel at
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