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The Dying Lion, a stone panel from Nineveh, northern Iraq, Neo-Assyrian, c645 BC

The Dying Lion, a stone panel from Nineveh, northern Iraq, Neo-Assyrian, c645 BC


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The Dying Lion, a stone panel from Nineveh, northern Iraq, Neo-Assyrian, c645 BC

The Dying Lion, stone panel from Nineveh, northern Iraq, Neo-Assyrian, c645 BC. Wall panel showing a lion struck by one of the kings arrows. It has long been acclaimed as a masterpiece. Lions were regarded as symbolizing everything that was hostile to urban civilization. This panel was part of a series showing a royal hunt, from the North Palace of King Ashurbanipal at Nineveh, northern Iraq. From the British Museums collection

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Media ID 14851807

© CM Dixon / Heritage-Images

Adiabene Alabaster Assyria Assyrian British Museum Dying Illness Iraq Lion Neo Assyrian Nineveh Panel Sick Sickness Vomiting Mike Dixon


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The Dying Lion - A Masterpiece of Ancient Assyrian Art

EDITORS COMMENTS
. This print showcases "The Dying Lion" a remarkable stone panel from Nineveh, northern Iraq. Created during the Neo-Assyrian period around 645 BC, this panel is widely regarded as a masterpiece of ancient art. The image depicts a powerful lion struck by one of the king's arrows, symbolizing the hostile forces that threatened urban civilization at the time. Lions were considered to embody everything antagonistic towards civilized society. Part of an extraordinary series illustrating a royal hunt, this particular panel originated from King Ashurbanipal's North Palace in Nineveh. It offers insight into the opulence and grandeur of ancient Assyria. Preserved in alabaster, this artifact now resides within the esteemed collection of the British Museum. Its intricate details and vibrant colors have captivated audiences for centuries, making it an iconic representation of ancient Mesopotamian culture. Through this photograph, viewers can appreciate both its historical significance and artistic brilliance. The image not only transports us back to an era long gone but also serves as a testament to humanity's enduring fascination with storytelling through visual arts.

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