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Early Ferns, Chapter 48 of The Tale of Genji, Edo period, ca. 1810-1814. Creator: Hokusai

Early Ferns, Chapter 48 of The Tale of Genji, Edo period, ca. 1810-1814. Creator: Hokusai


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Early Ferns, Chapter 48 of The Tale of Genji, Edo period, ca. 1810-1814. Creator: Hokusai

Early Ferns, Chapter 48 of The Tale of Genji, Edo period, ca. 1810-1814

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Media ID 23861221

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Arthur M Sackler Gallery Blind Blinds Blossom Cyathea Engawa Fern Ferns Freer Gallery Of Art Genji Monogatari Hokusai Hokusai Katsushika Hokusai Tokimasa Ink And Color On Silk Kakejiku Kakemono Kako Katsushika Hokusai Plant Pot Saki No Scroll Shunrō Sorobeku Sun Blind Tale Of Genji Tatsumasa The Tale Of Genji Veranda Verandah Zen No Plant Pots


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Early Ferns - A Captivating Depiction of Nature's Beauty in The Tale of Genji

EDITORS COMMENTS
. This exquisite print, titled "Early Ferns" is a mesmerizing creation by the renowned Japanese artist Hokusai during the Edo period (ca. 1810-1814). Part of Chapter 48 of The Tale of Genji, this artwork showcases Hokusai's mastery in capturing the essence and allure of nature. In this scene, a woman engrossed in reading sits on an engawa, a traditional veranda overlooking a lush garden. Surrounding her are vibrant ferns and delicate flowers that add splashes of color to the serene setting. Hokusai skillfully employs ink and color on silk to bring these botanical wonders to life. The intricate details within each leaf and petal demonstrate Hokusai's profound understanding of plant anatomy while showcasing his artistic finesse. Through this piece, he seamlessly intertwines literature with visual artistry, inviting viewers into the captivating world depicted in The Tale of Genji. As we admire "Early Ferns" we are transported back to 19th-century Japan—a time when education and appreciation for natural beauty were highly valued. This artwork serves as a testament to Hokusai's contribution not only as an artist but also as an educator who sought to inspire through his creations. Displayed at prestigious institutions such as the Arthur M Sackler Gallery and Freer Gallery of Art under the Smithsonian Institution, this masterpiece continues to captivate audiences

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