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Egyptien al entree de sa demeure (Egyptian at the entrance to his dwelling)
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Egyptien al entree de sa demeure (Egyptian at the entrance to his dwelling)
Egyptien a l entree de sa demeure (Egyptian at the entrance to his dwelling), from " L Art", 1884
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Media ID 20372968
© Heritage Art/Heritage Images
Alma Tadema Alma Tadema Lawrence Alma Tadema Lawrence Sir Alma Tadema Sir Lawrence Door Doors Doorway Edmond Laurens Alma Tadema Lawrence Lawrence Alma Tadema North Africa North African Orientalism Orientalist Sir Lawrence Sir Lawrence Alma Tadema Ancient Egyptian Black And Mizraim Ramus
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EDITORS COMMENTS
This print titled "Egyptian at the entrance to his dwelling" takes us back in time to the enchanting world of 19th century Egypt. The image, captured by Edmond Ramus for "L'Art" magazine in 1884, showcases the mastery of Alma Tadema Lawrence, a renowned artist of that era. The photograph transports us to North Africa, where an ancient Egyptian man stands proudly at the doorway of his home. Dressed in traditional robes, he exudes an air of mystery and elegance. The intricate details on his clothing reflect the rich cultural heritage of this fascinating continent. The composition is enhanced by the presence of majestic pillars that frame both sides of the door. These architectural elements symbolize strength and stability while adding depth to the scene. Through this simple yet powerful image, we are reminded of Egypt's historical significance as a cradle of civilization. Edmond Ramus skillfully captures every nuance with his etching technique, creating a sense of timelessness that transcends centuries. As we gaze upon this artwork displayed at The Metropolitan Museum Of Art, we become immersed in its orientalist charm and appreciate its contribution to our understanding and appreciation for African culture. This remarkable piece serves as a testament not only to Sir Lawrence Alma Tadema's artistic prowess but also to Edmond Ramus' ability to capture moments frozen in time through photography. It invites us into a world long gone but forever preserved within these monochromatic tones - an
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