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Eight-Plank Bridge (parody of "Tales of Ise"), c. 1767

Eight-Plank Bridge (parody of 'Tales of Ise'), c. 1767


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Eight-Plank Bridge (parody of "Tales of Ise"), c. 1767

Eight-Plank Bridge (parody of " Tales of Ise" ), c. 1767

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Media ID 24371357

© Heritage Art/Heritage Images

Adjustable Adjusting Bending Down Chuban Geta Harunobu Harunobu Suzuki Pier Plank Portraitarts Of Asia Sandal Sandals Shoe Shoes Suzuki Harunobu Tales Of Ise Waka Woodcutcolour Woodblock Print Estuary Parody Satirical


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> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > Y > Art Young

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Literature

> Arts > Pop art > Satire > Satirical artwork

> Asia > Japan > Related Images

> Asia > Related Images


EDITORS COMMENTS
This print by Suzuki Harunobu, titled "Eight-Plank Bridge (parody of 'Tales of Ise'), c. 1767" takes us back to the vibrant Edo period in Japan. The artwork showcases a scene from Japanese literature, skillfully blending poetry and satire. In this ukiyo-e masterpiece, two elegantly dressed figures gracefully make their way across a picturesque bridge spanning an estuary. The artist's attention to detail is evident in the delicate rendering of their traditional costumes - flowing kimonos adorned with intricate patterns and vibrant colors that contrast beautifully against the serene blue river. As we observe closely, we notice the woman bending down slightly as she adjusts her geta sandals on the wooden planks beneath her feet. This small gesture adds a touch of realism and humanizes these characters from centuries past. Harunobu's mastery lies not only in his artistic technique but also in his ability to transport us to another time and place through visual storytelling. Through this parody of "Tales of Ise" he invites us to explore themes such as love, nature, and cultural identity within the context of Tokugawa-period Japan. Displayed at the Art Institute Chicago, this print serves as a testament to Harunobu's enduring legacy as one of Asia's most celebrated artists. It allows us to appreciate both the beauty found within Japanese artistry and its rich literary heritage while providing insight into life during the eighteenth century.

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