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The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi, 1507

The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi, 1507


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The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi, 1507

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Media ID 20373352

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Benediction Blessing City Walls Donkey Gate Hans Hans Sch And Xe4 Hans Schäufelein Hans Schaufelein The Elder Jerusalem Northern Renaissance Palm Sunday Pinder Pinder Ulrich Sch And Xe4 Schaufelein Schaufelein Hans Schaufelein Hans The Elder The Elder Town Wall Ufelein Ufelein Hans Ufelein Hans The Elder Ufelein The Elder Ulrich Ulrich Pinder Walled City Walled Town Walls Black And


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> Animals > Farm > Donkeys > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Artists > M > Hans Maler

> Arts > Artists > S > Hans Schaufelein

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Entry into Jerusalem

EDITORS COMMENTS
by Hans Schaufelein the Elder captures a pivotal moment in Christian history. This black and white woodcut print, dating back to the 16th century, depicts Jesus Christ's triumphant arrival in Jerusalem on Palm Sunday. The image showcases a walled city with its towering gates, symbolizing both protection and confinement. In this scene, we see Jesus riding on a donkey while surrounded by his disciples and followers. The people of Jerusalem gather around him, their faces filled with awe and reverence for the Messiah. With one hand raised in blessing and the other gesturing towards the crowd, Jesus exudes divine authority. The artist skillfully portrays the bustling atmosphere of this significant event through intricate details such as men climbing trees to catch a glimpse of Jesus or waving palm branches as symbols of adoration. Amidst all this commotion stands an ass patiently carrying Christ upon its back—a humble creature chosen for its symbolism of peace rather than grandeur. Hans Schaufelein's work beautifully captures not only the religious significance but also the historical context of this biblical event. Through his masterful woodcut technique, he brings to life a moment that continues to inspire believers worldwide today. This print is part of The Metropolitan Museum of Art's collection, showcasing Northern Renaissance artistry at its finest. It serves as a testament to both artistic heritage and spiritual devotion throughout centuries past.

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