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Esquisse pour le Salon de la Paix de l'Hôtel de Ville : Mars enchaîné, between 1852 and 1854. Creator: Pierre Andrieu
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Esquisse pour le Salon de la Paix de l'Hôtel de Ville : Mars enchaîné, between 1852 and 1854. Creator: Pierre Andrieu
Esquisse pour le Salon de la Paix de l'Hotel de Ville : Mars enchaine, between 1852 and 1854
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Media ID 36237573
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4th Arrondissement Andrieu Pierre Canvas Material Casque Chained Delacroix Eugene Delacroix Ferdinand Victor Eugene Eugene Delacroix Ferdinand Victor Eugène Delacroix God Of War Helmet Hotel De Ville Mars Pierre Andrieu Protective Clothing Restrained Romantic Era Salon Salon De La Paix Second Empire Town Hall Letterbox Format Paris Museums Petit Palais Posture
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Esquisse pour le Salon de la Paix de l'Hotel de Ville - Mars enchaîné,
EDITORS COMMENTS
a captivating oil painting by Pierre Andrieu, dates between 1852 and 1854. This evocative work of art, showcasing the god of war, Mars, in a state of subjugation, is a testament to the artistic prowess of the 19th century. The painting, set against an indoors, interior background, depicts Mars in a humbled posture, kneeling and chained. He wears a casque, or helmet, and is clad in apparel that is both armored and draped in fabric. The god's clothes, reminiscent of the Empire style, are a striking contrast to his nakedness, emphasizing the concept of conflict and submission. The influence of Eugène Delacroix's work is evident in this painting, particularly in the use of color and the treatment of the figure. Andrieu's interpretation of Mars, however, adds a unique twist with the inclusion of the god's chained state. This masterpiece, a part of the rich artistic heritage of France, is housed in the Petit Palais in Paris, one of the city's esteemed museums. The painting's letterbox format and panoramic view invite the viewer to step closer for a more intimate encounter with the image, revealing intricate details of the god's clothing, armor, and the subtle play of light and shadow. The painting's title, "Esquisse pour le Salon de la Paix de l'Hotel de Ville," suggests that it was originally intended for exhibition at the Hotel de Ville, a historic building in the 4th arrondissement of Paris, known for its role in the city's civic and cultural life. Today, it remains a cherished part of the institution's collection, a reminder of the enduring power of art to provoke thought and inspire awe.
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