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Esquisse pour l'escalier des fêtes de l'Hôtel de Ville - L'Aurore, 1901. Creator: Joseph Blanc

Esquisse pour l'escalier des fêtes de l'Hôtel de Ville - L'Aurore, 1901. Creator: Joseph Blanc


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Esquisse pour l'escalier des fêtes de l'Hôtel de Ville - L'Aurore, 1901. Creator: Joseph Blanc

Esquisse pour l'escalier des fetes de l'Hotel de Ville - L'Aurore, 1901. Vendemiaire (Vendemiaire), Niveuse (Nivose): Dawn, the morning star

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Media ID 36258455

© Heritage Art/Heritage Images

Allegorical Blanc Joseph Calendar Canvas Material Dawn French Republican Calendar French Revolutionary Calendar Gold Leaf Hotel De Ville Joseph Blanc Morning Mosaic Mural Nudes Paul Joseph Blanc Seasons Star Town Hall Wall Painting Allegorical Figure Morning Star Paris Museums Petit Palais


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> Arts > Artists > B > Joseph Paul Blanc

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> Europe > France > Paris > Museums > Petit Palais


EDITORS COMMENTS
Esquisse pour l'escalier des fêtes de l'Hôtel de Ville - L'Aurore, 1901," a captivating oil painting by Paul Joseph Blanc, showcases an allegorical representation of the dawn and the morning star. This masterpiece, created in the early 20th century, is a testament to the artistic prowess of the French School and a significant addition to the rich heritage of art. The painting depicts two allegorical figures, Vendemiaire (representing the first month of the French Revolutionary Calendar, September) and Nivose (representing the first month of the French Republican Calendar, January). The former is shown as a woman picking grapes, symbolizing the harvest season, while the latter, Nivose, is portrayed as the morning star, or Dawn, with a golden nimbus surrounding her. The artwork is a sketch for a mural intended for the staircase of the Hôtel de Ville in Paris, which was to be adorned with various allegorical figures representing the different seasons. The painting is executed on a large canvas, with vibrant colors and gold leaf used to enhance the luminous effect of the morning star. The interior setting of the painting, with its ornate gold mosaic background and intricate wall decorations, adds to the opulence and grandeur of the artwork. The use of nudity in the depiction of the allegorical figures is a common motif in allegorical paintings of the time, emphasizing the symbolic significance of the figures rather than their physical attributes. Today, this painting is a cherished piece in many Paris museums, including the Petit Palais, where it continues to inspire and captivate visitors with its intricate detail, rich colors, and profound symbolism. The painting is a reminder of the enduring legacy of French art and the importance of preserving and celebrating our cultural heritage.

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