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Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank
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Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank
Exhibition at the Royal Horticultural Society, London, 1826. An unusual exhibition in the Great Room of the Horticultural Society in Lower Regent Street, Westminster, London. The chairman is John Elliott, on his right is Joseph Sabine, Hon Secretary of the Society and on his left is John Turner, Assistant Secretary who embezzled money from the society and fled to France in 1826. A man in blue treads on the bandaged foot of another man, making him shout in pain. At bottom left is a man with a pair of antlers. The exhibits are imaginary objects which serve to comment on the mores of the time
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Media ID 15168126
© London Metropolitan Archives (City of London) / Heritage-Images
Anger Bizarre Cruikshank Disease Fury George Cruikshank Gout Horticultural Society Horticulture Humorous Illness Kettle Obesity Potato Potatoes Rage Strange Vegetable Vegetables City Of Westminster Medlar
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EDITORS COMMENTS
Exhibition at the Royal Horticultural Society, London, 1826: A Satirical Snapshot of Society's Peculiarities". This print captures a peculiar scene from the Exhibition at the Royal Horticultural Society in London, back in 1826. Painted by George Cruikshank, this artwork offers a satirical commentary on the mores and idiosyncrasies of that time. In the Great Room of the Horticultural Society on Lower Regent Street, we witness an array of imaginary objects serving as exhibits. Amidst this bizarre collection, we find ourselves drawn to various intriguing characters. The chairman, John Elliott, sits alongside Joseph Sabine and John Turner. Little did they know that Turner would soon embezzle money from the society and flee to France. The image also depicts a man clad in blue who callously steps on another man's bandaged foot – causing him great pain and unleashing his cries for all to hear. Meanwhile, tucked away at bottom left is a mysterious figure donning antlers. Through this exhibition filled with strange fruits and vegetables like medlars and potatoes, Cruikshank masterfully blends humor with social commentary. His etching invites us to reflect upon themes such as health (or lack thereof), obesity concerns prevalent even then, disease outbreaks plaguing cities like Westminster during that era. As we delve into this snapshot frozen in time within Guildhall Library and Art Gallery's archives today; it serves as both entertainment and enlightenment about life in 19th century London - where satire met reality.
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