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Facade de l Eglise du St. Sepulcre, a Jerusalem (No

Facade de l Eglise du St. Sepulcre, a Jerusalem (No


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Facade de l Eglise du St. Sepulcre, a Jerusalem (No

Facade de l Eglise du St. Sepulcre, a Jerusalem (No. 1), August 19, 1850

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Media ID 20133519

© Heritage Art/Heritage Images

Camp Camp Maxime Du Church Of The Anastasis Church Of The Holy Sepulchre Du Camp Du Camp Maxime Holy Land Holy Sepulchure Jerusalem Maxime Maxime Du Maxime Du Camp Palestine Salted Paper Print Zion


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Arts > Artists > C > Maxime Du Camp

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Europe > France > Canton > Landes

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This photo print, titled "Facade de l Eglise du St. Sepulcre, a Jerusalem (No. 1), August 19,1850" takes us back to the enchanting city of Jerusalem in the 19th century. The image showcases the magnificent exterior of the Church of the Holy Sepulchre, also known as the Church of the Anastasis. French photographer Maxime du Camp beautifully captures this iconic architectural marvel with his salted paper print technique. The monochromatic tones add a timeless quality to this heritage art piece. The church holds immense religious significance for Christianity as it is believed to be built on the site where Jesus Christ was crucified and buried before his resurrection. Its grandeur and intricate details are awe-inspiring, making it an important pilgrimage destination for Christians from around the world. Du Camp's lens transports us to Palestine's holy land, offering a glimpse into its rich cultural heritage and historical importance. This photograph serves as a visual testament to both artistic excellence and religious devotion. Now preserved at The Metropolitan Museum of Art, this remarkable work invites viewers to appreciate not only its aesthetic beauty but also its historical value. It stands as a reminder that through photography we can explore different eras and connect with distant places like Zion in ways that transcend time itself.

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