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Fashion Plate (Mrs. Bell's Mantelet à la Capucine), 02-01-1820. Creator: John Bell

Fashion Plate (Mrs. Bell's Mantelet à la Capucine), 02-01-1820. Creator: John Bell


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Fashion Plate (Mrs. Bell's Mantelet à la Capucine), 02-01-1820. Creator: John Bell

Fashion Plate (Mrs. Bell's Mantelet a la Capucine)

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Media ID 36359732

© Heritage Art/Heritage Images

1820s Attire Bell John Class Fashion Plate Fashionable Gown Hand Coloured Engraving On Paper High Class John Bell Line Engraving Mantle Named Names Nasturtium Seasonal Social Class Upper Class Wearing Well Dressed


EDITORS COMMENTS
This stunning fashion plate, titled "Mrs. Bell's Mantelet à la Capucine" and dated February 1, 1820, is a captivating example of high fashion during the early 19th century. Created by renowned English engraver John Bell, this hand-colored engraving on paper showcases an elegantly dressed woman wearing a mantelet, a type of short cloak or mantle, adorned with the popular Capucine design. The woman's mantelet is depicted in rich red, a bold and striking color that was highly fashionable during this period, symbolizing power, wealth, and status. The mantelet is embellished with intricate line engravings of nasturtium plants, adding a touch of nature to the elegant design. The woman wears a matching red gown beneath the mantelet, further emphasizing the seasonal color trend. The fashion plate reflects the social class distinctions of the time, as only the upper class could afford such luxurious and expensive clothing. The woman's well-dressed appearance and the high-quality textiles used in the mantelet and gown demonstrate her elevated social standing. This engraving is an essential addition to any collection of 19th-century fashion and serves as a reminder of the intricate details and exquisite craftsmanship that went into creating fashionable attire during this era. The Los Angeles County Museum of Art (LACMA) is fortunate to have this rare and beautiful piece in its collection, providing a glimpse into the fashionable world of the past.

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