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Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], 1884-1888. Creator: Paul Gauguin

Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], 1884-1888. Creator: Paul Gauguin


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Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], 1884-1888. Creator: Paul Gauguin

Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], 1884-1888

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Media ID 36231591

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Art Movement Bench Brown Ink Crayon Eugene Henri Paul Gaugin Eugène Henri Paul Gauguin Gaugin Gauguin Paul Hand Heads Page Paul Gaugin Paul Gauguin Post Impressionism Post Impressionist Sketch Book Sketchbook Studies Symbolist Wove Paper Pen And Ink Drawing Symbolism


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> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > G > Paul Gauguin

> Arts > Artists > H > Guy Head

> Arts > Artists > Paul Gauguin > Impressionism

> Arts > Artists > Paul Gauguin > Post-Impressionism

> Arts > Artists > Paul Gauguin > Symbolism in art

> Arts > Artists > Paul Gauguin

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings


Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto]

EDITORS COMMENTS
is a captivating collection of works by the renowned Post-Impressionist artist, Paul Gauguin, created between 1884 and 1888. This assemblage of art pieces, held in the National Gallery of Art in Washington D.C., offers a glimpse into the artist's innovative and symbolic approach to depicting the human form. The central piece of this collection is "Two Figures and a Bench." In this black and white drawing, executed in graphite crayon and pen and brown ink on wove paper, Gauguin masterfully captures the essence of two figures seated on a bench in a rural setting. The figures, with their elongated limbs and simplified features, embody the artist's exploration of form and his departure from traditional representational art. The bench, a common piece of furniture in rural France, serves as a grounding element in the scene, anchoring the figures and providing a sense of stability amidst the fluidity of their forms. Accompanying this central piece are three studies of men's heads and one of a hand. These sketches, also executed in graphite and ink, reveal Gauguin's meticulous attention to detail and his fascination with the human form. The heads, with their expressive features and bold lines, are reminiscent of the works of his contemporaries, such as Vincent van Gogh and Edvard Munch. The hand study, with its intricate rendering of the subject's veins and creases, demonstrates Gauguin's mastery of the medium and his dedication to capturing the essence of his subjects. This collection of works by Paul Gauguin is a testament to his groundbreaking contributions to the Post-Impressionist and Symbolist movements. Through his innovative use of form, line, and color, Gauguin challenged traditional artistic conventions and paved the way for a new era in art. These sketches and studies offer a rare glimpse into the artist's creative process and his enduring influence on the art world.

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