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Forteress D Ibrym (Ancienne Premmis), Vue Prise Au Sud; Nubie, 1849 / 51, printed 1852
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Forteress D Ibrym (Ancienne Premmis), Vue Prise Au Sud; Nubie, 1849 / 51, printed 1852
Forteress D Ibrym (Ancienne Premmis), Vue Prise Au Sud; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 100 from the album " egypte, nubie, palestine et syrie" (1852)
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Media ID 23873801
© Heritage Art/Heritage Images
1852 Ancient Site Camp Maxime Du Du Camp Maxime Egypte Nubie Palestine Et Syrie And Fortress Hilltop Maxime Du Camp Middle Eastern Nubia Nubia Egypt Nubian Salted Paper Print Mizraim
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Fortress D Ibrym (Ancienne Premmis), Vue Prise Au Sud; Nubie, 1849/51, printed 1852
EDITORS COMMENTS
is a captivating photograph captured by Maxime du Camp in the mid-19th century. The image showcases the ancient site of Fortress D Ibrym, located in Nubia, Egypt. The photograph's composition highlights the architectural grandeur of this historic fortress perched atop a hill. Its imposing presence against the backdrop of rolling hills creates a mesmerizing contrast that transports viewers to another era. The use of salted paper print technique adds depth and texture to the image, enhancing its artistic appeal. As we delve into this piece of heritage art, we are reminded of the rich history and cultural significance embedded within ancient sites like Fortress D Ibrym. Du Camp's meticulous attention to detail captures not only the physical structure but also evokes a sense of wonder about its historical context. This photograph serves as an invaluable record for scholars and enthusiasts alike, offering insights into Middle Eastern architecture during this period. It invites us to explore the intricate details etched onto every stone while contemplating how time has shaped these structures over centuries. Displayed at renowned institutions such as Art Institute Chicago, "Fortress D Ibrym (Ancienne Premmis), Vue Prise Au Sud; Nubie" stands as a testament to Maxime du Camp's mastery in capturing both beauty and historical significance through his lens. This remarkable artwork continues
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