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Frances Anne Crewe, Lady Crewe, as St Genevieve, c1773 (1894). Artist: Thomas Watson
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Frances Anne Crewe, Lady Crewe, as St Genevieve, c1773 (1894). Artist: Thomas Watson
Frances Anne Crewe, Lady Crewe (1748-1818), as St Genevieve, c1773 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose, at the Opening of the New Library and Museum of the Corporation of London, November 1872, Vol. I. [Marcus Ward & Co, Limited, London, 1894]
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Media ID 14990994
© The Print Collector
Beautiful Beauty Crewe Distracted Genevieve Georgian Greville Hostess Joshua Joshua Reynolds Pensive Reynolds Saint Genevieve Sheep Shepherdess Sir Joshua Sir Joshua Reynolds Society St Genevieve St Genevieve Of Nanterre Thomas Watson Thoughtful Watson Aristocrat Frances Anne
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EDITORS COMMENTS
The captivating portrait of Frances Anne Crewe, Lady Crewe, as St Genevieve, painted by Thomas Watson in 1773 and later reproduced in a print collection in 1894, is a mesmerizing depiction of beauty and contemplation. Lady Crewe, an influential figure of the Georgian era, sits serenely with her faithful dog by her side amidst a backdrop of sheep grazing peacefully. Dressed as St Genevieve, the patron saint of Paris known for her piety and devotion to God, Lady Crewe exudes an air of thoughtful religiosity. Her elegant costume reflects the fashion trends of the eighteenth century aristocracy while also symbolizing her deep Christian faith. In this monochromatic engraving, every detail is meticulously captured - from Lady Crewe's pensive expression to the intricate folds of her dress. The artist skillfully conveys both the physical beauty and inner grace that defined this remarkable woman. Lady Crewe was not only renowned for her charm but also for her political influence as a prominent hostess during this period. This portrait serves as a testament to both her social standing within society and her unwavering commitment to religious ideals. As we gaze upon this timeless image, we are transported back to an era where art seamlessly merged with politics and spirituality. It reminds us that true beauty lies not only in outward appearances but also in one's character and convictions.
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