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A General Discharge or the Darling Angels Finising Stroke, March 13, 1809

A General Discharge or the Darling Angels Finising Stroke, March 13, 1809


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A General Discharge or the Darling Angels Finising Stroke, March 13, 1809

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Media ID 19984552

© Heritage Art/Heritage Images

Armaments Cannon Clarke Clarke Mary Ann Clarke Mary Anne Duke Of York And Albany Frederick Frederick Augustus Frederick Duke Of York And Albany Hammer Hammering Mary Ann Mary Ann Clarke Mary Anne Mary Anne Clarke Mary Anne Thompson Mistress Prince Frederick Rowlandson Rowlandson Thomas T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Rowlandson Thomas Tegg Thompson Thompson Mary Anne Tools Hand Tinted


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


A General Discharge or the Darling Angels Finising Stroke, March 13,1809

EDITORS COMMENTS
is a captivating print that captures a significant moment in British history. Created by Thomas Rowlandson in the 19th century, this hand-colored etching showcases the political and social landscape of the time. The image depicts Frederick Augustus, Duke of York and Albany, who was a prominent figure in British politics during this era. Known for his involvement in military affairs and scandalous personal life, he is shown here with Mary Ann Clarke, his mistress at the time. The artwork explores themes of power dynamics and marriage within high society. Rowlandson's attention to detail brings out every aspect of this historical scene. From the intricately designed armaments to the vibrant colors used to highlight each character's attire, it truly transports viewers back to early 19th-century Britain. Displayed at The Metropolitan Museum of Art as part of their heritage collection, this piece serves as a reminder of how art can capture not only beauty but also important moments in history. It invites us to reflect on the complexities of politics and human relationships while appreciating Rowlandson's artistic skill. This print offers an intriguing glimpse into an era filled with political intrigue and scandal – a testament to both Rowlandson's talent as an artist and his ability to tell stories through visual imagery.

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