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George IV (1762-1830). King of the United Kingdom, in his Coronation Robes, 1816. Creator: Lawrence, Sir Thomas (1769-1830)

George IV (1762-1830). King of the United Kingdom, in his Coronation Robes, 1816. Creator: Lawrence, Sir Thomas (1769-1830)


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George IV (1762-1830). King of the United Kingdom, in his Coronation Robes, 1816. Creator: Lawrence, Sir Thomas (1769-1830)

George IV (1762-1830). King of the United Kingdom, in his Coronation Robes, 1816. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

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Media ID 36230623

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George Iv Great Britain Lawrence Musei Vaticani In Viale Vaticano Sir Thomas 1769 1830


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> Arts > Art Movements > Neoclassicism

> Arts > Artists > L > Thomas Lawrence

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Lazio > Rome

> Europe > United Kingdom > England > Paintings


EDITORS COMMENTS
This stunning portrait captures the regal presence of George IV (18 July 1762 – 26 June 1830), the King of the United Kingdom from 1820 until his death, in his full coronation regalia. Painted by Sir Thomas Lawrence (1769-1830), a renowned British portrait painter of the Neoclassical period, the oil on canvas work of art dates back to 1816. George IV is depicted wearing the Imperial State Crown, the Orb, and the Sceptre with the Cross, symbolizing his royal power and authority. The intricate design of his coronation robe, adorned with gold and ermine fur, adds to the grandeur and opulence of the painting. The King's piercing gaze and stern expression convey a sense of confidence and determination, reflecting his leadership qualities. The portrait was created during a significant period in British history, following the end of the Napoleonic Wars and the beginning of the Georgian Era. George IV's reign was marked by extravagance, patronage of the arts, and a renewed interest in neoclassical architecture and design. This magnificent painting is now part of the prestigious collection of the Musei Vaticani in Viale Vaticano, Rome, showcasing the rich cultural exchange between Britain and Europe during the 19th century. The meticulous attention to detail and the masterful use of light and shadow in the painting make it a true masterpiece of Neoclassical portraiture.

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