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God save great George our King, c1820. Creator: Unknown
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God save great George our King, c1820. Creator: Unknown
God save great George our King, c1820. Satirical cartoon; a man wearing a dukes coronet and horns (representing cuckolding) supports George IV in return for a dukedom. In the background is Windsor Cottage, a reference to the royal residence of Windsor Castle. The couple possibly represent Queen Caroline and a lover. From an album containing portraits and satirical caricatures related to the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV) in 1820
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Media ID 19046177
© The Print Collector/Heritage Images
Adultery Affair Bribery Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Coronet Cuckolding Duke George Iv George Iv Of The United Kingdom Horns King George Iv King Of Great Britain Legislation Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Title Trial Dukedom
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God save great George our King, c1820
EDITORS COMMENTS
is a satirical cartoon print that offers a glimpse into the scandalous affairs and political intrigue of 19th-century Britain. Created by an unknown artist, this engraving captures the complexities surrounding the trial of Queen Caroline in 1820. In this intriguing image, we see a man wearing a dukes coronet and horns, symbolizing cuckolding. He appears to be supporting George IV, who is depicted as granting him a dukedom in return for his loyalty. The background features Windsor Cottage, alluding to the royal residence of Windsor Castle. The figures portrayed may represent Queen Caroline herself and one of her alleged lovers. This caricature sheds light on the adultery allegations against her during her tumultuous marriage with King George IV. This print not only reflects upon personal scandals but also touches upon broader themes such as bribery, legislation, and the power dynamics within British society at that time. It serves as both social commentary and political satire. Preserved in an album containing portraits and satirical caricatures related to Queen Caroline's trial, this historical artifact provides valuable insights into the cultural climate of early 19th-century Britain. Its monochrome composition adds depth to its depiction of societal tensions while capturing intricate details with precision. As we examine "God save great George our King" we are reminded of how art can serve as a window into history—revealing hidden narratives that shape our understanding of past events.
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