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Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852
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Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852
Grand Temple d Isis a Philoe, Second Pylone; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 74 from the album " egypte, nubie, palestine et syrie" (1852)
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Media ID 23871753
© Heritage Art/Heritage Images
1852 30th Dynasty Ancient Egypt Ancient Site Camp Maxime Du Du Camp Maxime Egypte Nubie Palestine Et Syrie And Inscribed Inscription Maxime Du Camp Middle Eastern Nectanebo I Nectanebus Nubia Nubian Philae As Said Egypt Pylon Relief Carving Salted Paper Print Temple Of Isis Walls Worship Worshipping Ancient Egyptian Mizraim
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This photo print, titled "Grand Temple d Isis a Philoe, Second Pylone; Nubie, 1849/51, printed 1852" transports us back to the ancient wonders of Egypt. Taken by Maxime du Camp in the mid-19th century, this salted paper print captures the intricate details of the temple's walls with remarkable precision. The image showcases a relief carving on one of the temple walls depicting worshippers engaged in religious rituals. The inscription on the wall reveals that this is the Grand Temple of Isis at Philae, an important site for ancient Egyptian worship. The figures depicted are beautifully rendered and convey a sense of devotion and reverence. Du Camp's photograph not only serves as a visual record but also highlights his artistic prowess in capturing both grandeur and subtlety. The play between light and shadow adds depth to each intricately carved detail. As we gaze upon this historic artwork from France's Art Institute Chicago collection, we can't help but marvel at how it brings together artistry and archaeology. It offers us a glimpse into an era long gone while reminding us of humanity's enduring fascination with religion and spirituality. This print is part of Du Camp's larger album titled "Egypte, Nubie, Palestine et Syrie" (1852), which documents his travels through these regions during the 19th century. Through his lens, he immortalizes not just architectural marvels but also cultural heritage that continues to inspire awe centuries later.
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