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The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad...", Japan, c. 1797. Creator: Kitagawa Utamaro. The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad...", Japan, c. 1797
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The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad...", Japan, c. 1797. Creator: Kitagawa Utamaro. The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad...", Japan, c. 1797
The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad Habits (Nakute nana kuse)", Japan, c. 1797
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Media ID 36221049
© Heritage Art/Heritage Images
Black Hair Hair Ornament Hand Mirror Kanzashi Kitagawa Utamaro Looking Glass Mirror Oban Utamaro Utamaro Kitagawa Boisterous Color Woodblock Print Hairdressing
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EDITORS COMMENTS
The Habit of Boisterousness," a captivating woodblock print from the series "Seven Bad Habits" created by the renowned Japanese artist Kitagawa Utamaro in the late 18th century, offers a glimpse into the intricacies of Edo period fashion and social norms. The print showcases a young woman, her back turned to the viewer, as she gazes into a hand mirror, oblivious to the boisterous hair ornament, or kanzashi, that has come loose from her elaborate hairstyle. The kanzashi, a symbol of femininity and refinement, is depicted flying through the air, adding a sense of playfulness and mischief to the scene. Utamaro's masterful use of color and composition is evident in the vivid hues of the woman's kimono and the intricate patterns of her obi sash. The print is further enhanced by the delicate details of the woman's hairdressing, her black hair styled in a fashionable updo adorned with various hairpins and ornaments. The print's title, "Sawagashiki kuse," translates to "the habit of being boisterous," suggesting that the young woman's momentary lapse in refinement is a common occurrence. This oban-sized print is a testament to Utamaro's artistic skill and his ability to capture the essence of everyday life in Japan during the Tokugawa period. The print is now part of the collection of the Art Institute of Chicago, where it continues to captivate audiences and inspire appreciation for the rich artistic heritage of Japan.
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