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Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan... c1847/52 Creator: Ando Hiroshige. Hamamatsu—No)
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Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan... c1847/52 Creator: Ando Hiroshige. Hamamatsu—No)
Hamamatsu--No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), " also known as the Reisho Tokaido, c. 1847/52
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Media ID 36208220
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Cartouche Fifty Three Stations Of The Tokaido Hamamatsu Shizuoka Japan Oban Pine Tree Pine Trees Pines Reisho Tokaido Tokaido Trade Route View To Sea Waters Edge Wave Waves Wind Windy Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
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Hamamatsu—No. 30, from the series Fifty-three Stations of the Tokaido" is a stunning color woodblock print created by the renowned Japanese artist Ando Hiroshige during the mid-19th century. This work of art, also known as the Reisho Tokaido, showcases the picturesque town of Hamamatsu in Shizuoka, Japan. The print offers an intriguing glimpse into the daily life and natural beauty of Japan during the Edo period. The composition of the print is masterfully balanced, with the tranquil blue sea on the left contrasting the lush greenery of the pine trees and mountains on the right. In the foreground, three figures are engaged in conversation, adding a sense of human scale and interaction to the scene. The background is filled with the bustling activity of people and carts, moving along the Tokaido Road. Ando Hiroshige's exceptional use of color and attention to detail are evident in the vibrant blue of the sea, the rich greens of the foliage, and the intricate patterns of the cartouche. The print is a testament to the artistic school of ukiyo-e, which focused on the depiction of everyday life and the natural world. This Oban-sized print is a valuable heritage piece, showcasing the rich cultural history of Japan during the Tokugawa period. It is a must-see for any art enthusiast, especially those with an interest in Asian art or the history of printmaking. The intricate details, vibrant colors, and engaging composition make Hamamatsu—No. 30 a true masterpiece of the 19th century.
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