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The "Hell Hole, "New Hope Church, GA, 1866. Creator: George N. Barnard

The 'Hell Hole, 'New Hope Church, GA, 1866. Creator: George N. Barnard


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The "Hell Hole, "New Hope Church, GA, 1866. Creator: George N. Barnard

The " Hell Hole, " New Hope Church, GA, 1866. Albumen print, plate 27 from the album " Photographic Views of the Sherman Campaign" (1866)

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Media ID 23871601

© Heritage Art/Heritage Images

1866 Barnard Barnard George Barnard George N Barnard George Norman George Barnard George N George N Barnard George Norman Barnard Georgia United States Of America Albumen Silver Print American Civil War Battlefield


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> Arts > Artists > B > George N. Barnard

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> North America > United States of America > Georgia > Related Images


The 'Hell Hole, ' New Hope Church, GA, 1866

EDITORS COMMENTS
. This photograph by George N. Barnard takes us back to the haunting remnants of the American Civil War. Titled "The 'Hell Hole, ' New Hope Church, GA" this image captures the aftermath of a fierce battle that once raged on these very grounds. In this desolate landscape, nature has begun to reclaim what was once a battlefield. The skeletal remains of trees stand as silent witnesses to the horrors that unfolded here just a year prior. The twisted branches and charred trunks evoke a sense of melancholy and loss. Barnard's composition skillfully draws our attention towards the center where we see an eerie void amidst the chaos - perhaps symbolic of lives lost or dreams shattered during this brutal conflict. The play between light and shadow adds depth to the scene, emphasizing both destruction and hope for renewal. As we gaze upon this albumen print from Barnard's series "Photographic Views of the Sherman Campaign" we are reminded of America's tumultuous past and its enduring legacy. This photograph serves as a powerful reminder not only of war's devastating impact but also our capacity for resilience in rebuilding after such destruction. Displayed at the Art Institute Chicago, this piece invites viewers to reflect on history while appreciating Barnard's artistic vision captured through his lens over 150 years ago. It stands as an important testament to both human suffering and our ability to find beauty even in places scarred by conflict.

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