The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer

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The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer

The Four Horsemen of the Apocalypse, published 1630

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Media ID 36269333

© Heritage Art/Heritage Images

1600s 1630 Apocalypse Apparition Book Of Revelation Celestial Christoph Maurer Christoph Murer Day Of Judgement Day Of Judgment Judgement Day Judgment Day Last Judgement Last Judgment Maurer Christoph Murer Christoph Published Revelation Revelations The Last Judgment Vision Woodcut On Laid Paper

EDITORS COMMENTS
This striking woodcut print, titled "The Four Horsemen of the Apocalypse," was created by the renowned Swiss artist Christoph Maurer in the year 1630. The image is based on the biblical text from the Book of Revelation in the New Testament. The apocalyptic scene depicts four horsemen, each riding on a different colored horse, symbolizing Conquest, War, Famine, and Death. The horseman of Death, represented by a skeletal figure riding a pale horse, holds a pair of scales in his hand, symbolizing the balance of good and evil deeds in the judgment of souls. The print, published in black and white, showcases the intricate details of Maurer's artistic vision. The celestial background, with its swirling clouds and fiery sky, adds to the ominous and otherworldly atmosphere of the scene. The horsemen, with their fierce expressions and muscular builds, exude a sense of power and authority. Maurer's depiction of The Four Horsemen of the Apocalypse was a popular subject in the 17th century, reflecting the widespread fascination with the end times and the Day of Judgment. This woodcut print is a testament to the enduring power of religious art and the ability of art to convey complex concepts and visions. The National Gallery of Art in Washington, D.C. is home to this heritage art piece, which continues to captivate visitors with its intricacy, detail, and historical significance. Maurer's "The Four Horsemen of the Apocalypse" is a must-see for anyone interested in the history of art, Christianity, or the apocalyptic visions of the Bible.

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