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Hostess Discharges a Pan of Blood into the Face of Parson Andrews

Hostess Discharges a Pan of Blood into the Face of Parson Andrews


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Hostess Discharges a Pan of Blood into the Face of Parson Andrews

Hostess Discharges a Pan of Blood into the Face of Parson Andrews, from " The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams", 1792

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Media ID 19986592

© Heritage Art/Heritage Images

Blood Cauldron Clergy Dramatic Fielding Fielding Henry Henry Henry Fielding Kitchen Parson Rowlandson Rowlandson Thomas Thomas Rowlandson Throwing Vicar James Sibbald Sibbald


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Henry Andrews

> Arts > Artists > H > Thomas Henry

> Arts > Artists > R > Thomas Rowlandson

> Arts > Literature

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Hostess Discharges a Pan of Blood into the Face of Parson Andrews - A Dramatic Depiction of 18th Century Satire

EDITORS COMMENTS
. This black and white etching, created by Thomas Rowlandson in 1792, captures a scene from Henry Fielding's renowned novel "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams". The image portrays an intense moment where a female hostess hurls a pan filled with blood directly into the face of Parson Andrews. Rowlandson's masterful use of shading and contrast adds depth to this dramatic illustration. The artist skillfully highlights the expressions on each character's face - shock, horror, and disbelief are evident as they react to this unexpected act. The woman's forceful action is emphasized by her determined stance and the fiery cauldron behind her. Embedded within this artwork lies a satirical commentary on religion and clergy in 18th century Britain. Through this shocking visual metaphor, Rowlandson challenges traditional Christian beliefs while exposing hypocrisy within religious institutions. As we delve into history through art at The Metropolitan Museum of Art (The Met), we encounter thought-provoking pieces like this one that reflect societal norms and customs during their time. This print serves as both an artistic masterpiece and a testament to the power that literature had in shaping public opinion during the Enlightenment era. With its rich heritage value, "Hostess Discharges a Pan of Blood into the Face of Parson Andrews" invites viewers to contemplate themes

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