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Ile de Fileh (Philae), edifice du Sud et Partie de la Colonnade Occiden
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Ile de Fileh (Philae), edifice du Sud et Partie de la Colonnade Occiden
Ile de Fileh (Philae), edifice du Sud et Partie de la Colonnade Occidentale Vue du Point V, 1851-52, printed 1853-54
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Media ID 20135025
© Heritage Art/Heritage Images
Ancient Egypt Archaeological As Said Felix Felix Teynard Island Nile Nubia Nubia Egypt Philae Philae As Said Egypt Philae Temple River Nile Salted Paper Print Teynard Teynard Felix The Nile Ancient Egyptian Mizraim
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This print by Felix Teynard takes us back to the 19th century, capturing the ancient beauty of Ile de Fileh (Philae) in Egypt. The image showcases the southern edifice and a portion of the western colonnade, offering a glimpse into the remarkable architecture of this archaeological site. Teynard's mastery in photography allows us to appreciate every intricate detail of these historic structures. The pillars stand tall against the backdrop of the Nile River, symbolizing both strength and religious significance. As we gaze upon this scene, we are transported to a time when Philae was an important center for worship and pilgrimage. The photograph's monochromatic palette adds depth and enhances our perception of this cultural heritage. It invites us to explore not only the physical aspects but also contemplate its historical context. This print serves as a testament to Teynard's skill in capturing landscapes that transcend time. Displayed at The Metropolitan Museum of Art, this artwork continues to attract tourists from around the world who seek to immerse themselves in Egypt's rich history. It reminds us that even centuries later, these ancient sites remain powerful symbols of human ingenuity and devotion. Felix Teynard's work stands as a tribute not only to his artistic talent but also as documentation preserving our connection with past civilizations. Through his lens, he has created an enduring piece that invites viewers on a journey through time while paying homage to Egypt's architectural wonders.
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