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Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokoha... 10th month, 1870. Creator: Utagawa Hiroshige III)
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Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokoha... 10th month, 1870. Creator: Utagawa Hiroshige III)
Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokohama shokan tenshudo no zu), 10th month, 1870
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Media ID 20378894
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Ando Ando Tokubei Cart Carts Catholic Church East Meets West Europeans Fousi Yama Fuji Fujiyama Goto Goto Torakichi Hiroshige Hiroshige Iii Hiroshige Iii Utagawa Horse And Cart Horse Drawn Vehicles Ink And Colour On Paper Kanto Meiji Period Mount Fuji Tokubei Tokubei Ando Torakichi Goto Triptych Triptych Of Polychrome Woodblock Prints Utagawa Utagawa Hiroshige Iii Volcano West Western Westerner Westerners Yokohama Yokohama E Yokohama Kanto Japan Hiroshige Utagawa Horse Drawn Horse Drawn Vehicle Horsedrawn Metaphor Roman Catholicism Utagawa Hiroshige
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EDITORS COMMENTS
This triptych of polychrome woodblock prints, created by Utagawa Hiroshige III in the 10th month of 1870, offers a fascinating glimpse into Yokohama during the Meiji period. Titled "Illustration of Foreign Residences and the Catholic Church in Yokohama" this artwork beautifully captures the meeting point between East and West. The scene depicts a bustling street filled with horse-drawn carts and people going about their daily lives. In the foreground, we see an elegant European-style building that stands out amidst traditional Japanese architecture. This is none other than the Catholic Church, symbolizing Christianity's growing presence in Japan at that time. As our eyes wander beyond the church, we are greeted by breathtaking views of Mount Fuji towering majestically in the distance. The artist masterfully uses ink and color on paper to bring this iconic geographical feature to life. The juxtaposition of European figures alongside Japanese locals adds depth to this piece, highlighting cultural exchange and globalization taking place during this era. It serves as a metaphor for how different continents and countries were coming together through trade and diplomacy. Preserved within these prints is not only Hiroshige III's artistic skill but also a snapshot of history—a testament to Yokohama's transformation from a small fishing village into an international port city. As we admire this heritage art at The Metropolitan Museum of Art, let us appreciate its significance in bridging cultures and celebrating diversity during one pivotal moment in time.
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