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Italian Renaissance wood mosaic, (1898). Creator: Unknown
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Italian Renaissance wood mosaic, (1898). Creator: Unknown
Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid. Figs 3-7: From the choir-stalls ibid.Fig 8: From the choir-stalls in Monte Oliveto maggiore. Figs 9-10: From the choir-stalls in S. Petronio at Bologna. (Ground of the centre-compartments black). Figs 11-13: From the choir-stalls in the Certosa near Pavia. (In Fig 12 ground black)...Wood-carving in general was highly flourishing, as is known, in the Renaissance-period, especially however (in the highest degree) one branch of it, termed Intarsia, i. e. inlaid wood-work, with which stalls, shrines in vestries etc. were most richly decorated.... Plate 48 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778060
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Amorini B T Batsford Bamp W Batsford Bt Batsford Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Inlaid Inlaying Marquetry Mosaic Sepia Stylised Symmetrical Symmetry Angelic Cherubs Intarsia Putti
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EDITORS COMMENTS
This print showcases an exquisite Italian Renaissance wood mosaic, created in 1898 by an unknown artist. The image is a compilation of various pieces from different locations, including S. Anastasia at Verona, S. Maria in Organo, Monte Oliveto Maggiore, and S. Petronio at Bologna. Wood-carving during the Renaissance period was highly esteemed and this particular branch known as Intarsia flourished with great splendor. It involved the art of inlaid woodwork to adorn choir-stalls, vestry shrines, and other religious spaces with intricate designs. The photograph captures the remarkable craftsmanship of these decorative wooden panels. The symmetrical patterns are meticulously carved into the dark background creating a striking contrast that enhances their beauty further. Cherubs and angelic figures can be seen amidst flourishing foliage and stylized flowers. The sepia-toned image adds a touch of nostalgia to this stunning piece of interior decoration from the 16th century Italy. Its black-and-white aesthetic brings out the fine details and highlights the precision employed by skilled artisans. Plate 48 from "The Historic Styles of Ornament" translated from German author H. Dolmetsch's work serves as a testament to the enduring legacy of Italian Renaissance artistry in woodcarving. This print not only captures a moment in history but also celebrates the rich cultural heritage embedded within each delicate stroke on these masterpieces.
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