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Jacob's Dream, 1639. Creator: Ribera, José, de (1591-1652)
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Jacob's Dream, 1639. Creator: Ribera, José, de (1591-1652)
Jacob's Dream, 1639. Found in the Collection of the Museo del Prado, Madrid
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Media ID 36194167
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Angels De 1591 1652 Dream Ladder Jacob Jose Judaism Ladder Madrid Museo Del Prado Ribera Torah Jacobs Dream Old Testament
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EDITORS COMMENTS
Jacob's Dream," painted by the Spanish Baroque artist José de Ribera in 1639, is a captivating oil on canvas work housed in the esteemed Museo del Prado in Madrid. This masterpiece brings to life the Old Testament story of Jacob's encounter with God, as depicted in the book of Genesis. In the painting, Jacob is shown lying on a rocky outcrop, his head resting on a stone pillow, as he dreams. Above him, an ethereal ladder reaches from the earth to the heavens, with angels ascending and descending. The scene is filled with a sense of otherworldly serenity, as Jacob is awakened from his slumber by God, who appears at the top of the ladder in the guise of a divine messenger. The painting's rich colors and intricate details bring the biblical narrative to life, with Jacob's worn robes and the rough texture of the rocky terrain contrasting sharply with the ethereal beauty of the angels and the ladder. Ribera's masterful use of chiaroscuro, or the interplay of light and shadow, adds depth and dimension to the painting, drawing the viewer into the scene. The influence of Judaism on Ribera's interpretation of this Old Testament story is evident in the painting's attention to detail and the reverence with which the figures are portrayed. The ladder, a symbol of connection between the earthly and divine realms, is a recurring motif in Jewish art and literature, and is depicted here in all its glory, reaching towards the heavens and connecting the mortal world with the divine. Overall, "Jacob's Dream" is a stunning example of the Baroque period's ability to bring biblical stories to life through art, and a testament to Ribera's skill as a painter. The painting's enduring appeal lies in its ability to transport the viewer to another time and place, inviting contemplation and reflection on the power of faith and the connection between the divine and the human.
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