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John Wesley visiting his mothers grave in 1779, Bunhill Fields, Finsbury, London, (c1850)
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John Wesley visiting his mothers grave in 1779, Bunhill Fields, Finsbury, London, (c1850)
John Wesley visiting his mothers grave in 1779, Bunhill Fields, Finsbury, London, (c1850). Wesley, wearing a tricorn hat, stands contemplating the poem on his mothers headstone
Heritage Images features heritage image collections
Media ID 15170642
© London Metropolitan Archives (City of London) / Heritage-Images
Bunhill Fields Cemetery Contemplate Contemplation Epitaph Finsbury Grave Gravestone Graveyard Hunt Islington John Wesley Mourner Mourning Personality Reverend John Wesley Susannah Wesley Aquatint William Lee
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EDITORS COMMENTS
John Wesley, the renowned 18th-century theologian and founder of Methodism, pays a solemn visit to his mother's grave in Bunhill Fields Cemetery, Finsbury, London. This print captures a poignant moment in history around 1850. Dressed in his distinctive tricorn hat, Wesley stands before his mother's headstone with deep contemplation etched on his face. His eyes fixate on the poem inscribed on the gravestone, perhaps reflecting upon the profound impact she had on his life and spiritual journey. Bunhill Fields Cemetery holds significant historical importance as a final resting place for many notable figures from literature and religious circles. Here lies Susannah Wesley, John's beloved mother who played an instrumental role in shaping him into the influential figure he became. The black-and-white aquatint print beautifully conveys both the somber atmosphere of mourning and the enduring legacy of this remarkable family. It serves as a powerful reminder of our mortality while highlighting the bond between mother and son that transcends time. This image is part of an extensive collection housed at Guildhall Library and Art Gallery—a treasure trove documenting British heritage through art spanning centuries. The work by G. Hunt skillfully captures not only John Wesley but also offers us glimpses into 19th-century England through its monochrome lens. As we observe this photograph today, it invites us to reflect upon our own connections with those who have shaped us—acknowledging their influence even long after they are
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