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Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties... c. 1795/96. Creator: Kitagawa Utamaro. Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties... c. 1795/96

Kisegawa of the Matsubaya, from the series 'Comparing the Charms of Five Beauties... c. 1795 / 96. Creator: Kitagawa Utamaro. Kisegawa of the Matsubaya, from the series 'Comparing the Charms of Five Beauties... c. 1795 / 96


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Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties... c. 1795/96. Creator: Kitagawa Utamaro. Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties... c. 1795/96

Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", Japan, c. 1795/96

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Media ID 36221159

© Heritage Art/Heritage Images

Black Hair Clan Courtesan Hair Ornament Hand Mirror Kanzashi Kitagawa Utamaro Looking Glass Matsubaya Mirror Oban Utamaro Utamaro Kitagawa Color Woodblock Print


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> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Utamaro Kitagawa

> Arts > Artists > U > Kitagawa Utamaro

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
Comparing the Charms of Five Beauties: Kisegawa of the Matsubaya" is a captivating woodblock print created by the renowned Japanese artist Kitagawa Utamaro around 1795/96. This stunning work of art is a testament to the beauty and elegance of the Edo period (1603-1868) and showcases the exquisite detail and masterful technique of the ukiyo-e artistic tradition. The print features Kisegawa, a courtesan from the Matsubaya brothel, admiring herself in a hand mirror. She is dressed in a magnificent kimono adorned with intricate patterns and vibrant colors, her black hair styled in an elaborate updo held in place with kanzashi ornaments. The obi sash, a symbol of her status and profession, is tied in a formal bow. Kisegawa's pose, with her head slightly turned away from the mirror, suggests a moment of introspection and self-reflection. The use of a hand mirror as a prop was a common motif in ukiyo-e art, representing the vanity and self-absorption associated with the courtesan culture of the time. The print is a prime example of the oban size, a popular format for ukiyo-e woodblock prints. The detailed and precise woodblock printing technique is evident in the intricate patterns and textures of Kisegawa's kimono and the delicate lines of her facial features. This beautiful work of art is a valuable addition to any collection of Asian art, showcasing the rich cultural heritage of Japan during the Edo period. The print invites us to appreciate the beauty and elegance of traditional Japanese clothing and the artistry of the ukiyo-e tradition. The print is currently housed in the Art Institute of Chicago, where it continues to inspire and delight visitors from around the world. The image of Kisegawa, with her enchanting smile and captivating beauty, remains a timeless symbol of the allure and charm of the Japanese courtesan culture.

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