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Krishna Embracing the Gopis, between c1700 and c1725. Creator: Unknown

Krishna Embracing the Gopis, between c1700 and c1725. Creator: Unknown


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Krishna Embracing the Gopis, between c1700 and c1725. Creator: Unknown

Krishna Embracing the Gopis, between c1700 and c1725

Heritage Images features heritage image collections

Media ID 36367875

© Heritage Art/Heritage Images

1700s 1710s Adored Adoring Bhagavata Purana Bhagavatapurana Bliss Blue Skin Cowherd Devotee Devotion Devotional Embrace Embracing Forehead Gopi Himachal Pradesh Hindu Hinduism Khrishna Krishna Mandi Opaque Watercolor On Paper Sari Skin Skin Colour South East Asia Southeast Asia Southeast Asian Vaishnavism Hindoostan Watercolour On Paper


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EDITORS COMMENTS
This exquisite 18th century artwork, titled "Krishna Embracing the Gopis," showcases the adored deity Krishna in a tender moment with his adoring gopis, or cowherd maidens, from the Bhagavata Purana. The scene unfolds in a pastoral setting, with Krishna's fair complexion in stark contrast to the gopis' richly colored saris and their distinct caste markings. Krishna's blue-skinned body, a hallmark of his divine nature, is adorned with intricate jewelry and a crown, while the gopis' faces radiate bliss and devotion. The opaque watercolor on paper, believed to be from the South East Asian region, possibly from Himachal Pradesh in India, showcases the intricate details of their clothing and apparel. Krishna's simple white dhoti and the gopis' elegant saris, with their intricate patterns and borders, are a testament to the rich fashion traditions of the time. The artwork's intricate details and delicate brushwork evoke a sense of tranquility and spiritual connection. This artwork, a precious heritage from the past, offers a glimpse into the devotional traditions of Vaishnavism in Hinduism, which continues to be practiced in various forms across Asia and beyond. The artwork's timeless beauty and spiritual significance make it a cherished piece of art and a source of inspiration for generations to come.

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