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Kunga Tashi and Incidents from His Life (Abbot of Sakya Monastery, 1688-1711) (image 1 of 8), c1700. Creator: Anon

Kunga Tashi and Incidents from His Life (Abbot of Sakya Monastery, 1688-1711) (image 1 of 8), c1700. Creator: Anon


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Kunga Tashi and Incidents from His Life (Abbot of Sakya Monastery, 1688-1711) (image 1 of 8), c1700. Creator: Anon

Kunga Tashi and Incidents from His Life (Abbot of Sakya Monastery, 1688-1711) (image 1 of 8), c1700

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Media ID 36356463

© Heritage Art/Heritage Images

Abbot Accident Buddhist Buddhists Deities Gods Incident Life Monastery South And Southeast Asian Art Tibet Tibetan Tibetan Buddhism


EDITORS COMMENTS
This exquisite 18th century painting, titled "Kunga Tashi and Incidents from His Life (Abbot of Sakya Monastery, 1688-1711)" (Image 1 of 8), is an anonymous masterpiece from the 17th-18th century showcasing the life of Kunga Tashi, the Abbot of Sakya Monastery from 1688 to 1711. The painting is believed to have been created in Tibet or Nepal, and is a testament to the rich artistic heritage of South and Southeast Asian art. The scene depicts Kunga Tashi in the center, dressed in monastic robes and seated on a throne, surrounded by various deities and incidents from his life. The use of mineral pigments and gold on cotton cloth adds to the opulence and grandeur of the painting. One of the most intriguing incidents depicted in the painting is an accident that occurred during Kunga Tashi's tenure as Abbot. According to legend, a fire broke out in the monastery, and Kunga Tashi is said to have miraculously saved the sacred texts from being consumed by the flames. This incident is depicted in the painting with the Abbot holding a stack of texts in one hand and a vase of water in the other, extinguishing the flames. The painting is a valuable addition to the South and Southeast Asian art collection at the Los Angeles County Museum of Art (LACMA), providing insights into the history and culture of Tibetan Buddhism during the 17th and 18th centuries. The intricate details of the painting, from the intricately designed robes and headdresses to the expressions on the faces of the deities, showcase the skill and artistry of the anonymous artist. This painting is not only a beautiful work of art but also a historical document, providing a glimpse into the life of an important figure in Tibetan Buddhism.

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