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Lamartine refusant le drapeau rouge devant l'Hôtel de Ville, c.1848. Creator: Felix Henri Emmanuel Philippoteaux
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Lamartine refusant le drapeau rouge devant l'Hôtel de Ville, c.1848. Creator: Felix Henri Emmanuel Philippoteaux
Lamartine refusant le drapeau rouge devant l'Hotel de Ville, c.1848. Lamartine rejecting the red flag in front of the Hotel de Ville. Revolution of 1848, Paris
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Media ID 36268629
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Alphonse De Lamartine Armaments Bayonet Bayonets Booty Cannon Cannons Canvas Material Cobbled Cobbles Cobblestone Cobblestones Cutlery De Lamartine Alphonse Dead Dead Body Felix Henri Emmanuel Philippoteaux Hotel De Ville Injured Injury Loot Noisy Pointing Republican Revolution Of 1848 Riot Rioting Riots Rowdy Shouting Speech Town Hall Treasure Tricolour Paris Museums Petit Palais
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This evocative image, titled "Lamartine refusant le drapeau rouge devant l'Hotel de Ville" (Lamartine rejecting the red flag in front of the Hotel de Ville), was painted by the renowned French artist Felix Henri Emmanuel Philippoteaux around 1848. The scene captures a pivotal moment during the Revolution of 1848 in Paris, as the poet and politician Alphonse Marie Louis Prat de Lamartine, knight of Prat, stands defiantly in front of the Hotel de Ville, the town hall of Paris. The cobblestone street is strewn with the debris of revolution – discarded cutlery, abandoned arms, and the remnants of torn banners and flags. In the foreground, a dead body lies lifeless, a victim of the chaos that has engulfed the city. Lamartine, dressed in formal attire, sits in a wooden chair, his hand gesturing a firm rejection of the red flag being waved by a man in the crowd. The contrast between the calm, collected demeanor of Lamartine and the frenzied energy of the revolutionaries creates a striking visual tension. The artist masterfully employs a rich color palette, with the red flag and the blood-stained cobblestones standing out against the muted tones of the buildings and the somber clothing of the figures. The cannons and bayonets in the background serve as a grim reminder of the violence that has erupted, while the furniture and other belongings that have been left behind in the chaos add a sense of normalcy to the scene, highlighting the disruption caused by the revolution. This painting is a powerful testament to the tumultuous events of the Revolution of 1848 and the role that figures like Lamartine played in shaping the future of France. It is a poignant reminder of the cost of revolution and the sacrifices that are often required to bring about change.
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