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Lampas with roundels of the image of Christ in benedictory pose, 1550-1650. Creator: Unknown
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Lampas with roundels of the image of Christ in benedictory pose, 1550-1650. Creator: Unknown
Lampas with roundels of the image of Christ in benedictory pose, 1550-1650. Ottoman manufacturers also wove luxury silks with Christian images for the largest markets outside of the reigning sultans, whose need for luxury fabrics was voracious, targeting the Balkans, Eastern Europe, and the state of Muscovy (Moscow), which lacked silk industries. Worn as majestic church vestments, they were prized signifiers of the power and wealth of the Eastern Orthodox church. Christian imagery is often displayed in small medallion patterns, as seen here, woven in the standard Ottoman lampas technique. In this highest grade lampas with extensive gilt-metal thread, small medallions enclose half-length images of Christ in a benedictory pose alternating with crosses. The abbreviated inscription in the roundel, IC XC, translates as " Jesus Christ, " and IC XC N K reads " Jesus Christ Victorious."
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Media ID 19622787
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EDITORS COMMENTS
This print showcases a stunning example of Ottoman craftsmanship from the 16th to 17th century. The lampas textile, adorned with roundels featuring the image of Christ in a benedictory pose, is a testament to the intricate weaving techniques and artistic prowess of unknown Ottoman manufacturers. During this period, luxury silks with Christian imagery were sought after by markets outside of the ruling sultans' domain. The Balkans, Eastern Europe, and Muscovy (Moscow) were particularly targeted due to their lack of silk industries. These exquisite textiles served as majestic church vestments and symbolized the power and wealth of the Eastern Orthodox church. The small medallion patterns seen here are woven using the standard Ottoman lampas technique. In this particular piece, crafted with utmost skill and adorned with extensive gilt-metal thread, half-length images of Christ in a benedictory pose alternate with crosses within each medallion. The abbreviated inscription "IC XC" translates to "Jesus Christ" while "IC XC N K" signifies "Jesus Christ Victorious". Preserved through time, this remarkable artifact offers us a glimpse into an era where artistry transcended religious boundaries. Its beauty lies not only in its visual appeal but also in its historical significance as it represents cultural exchange between different regions during that period. Photo credit: Heritage Art/Heritage Images
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