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Le triomphe du paganisme, 19th century. Creator: Honore Daumier
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Le triomphe du paganisme, 19th century. Creator: Honore Daumier
Le triomphe du paganisme, 19th century. The Triumph of Paganism. Dead or dying man (the Pope?), wearing hat labelled The Religious Universe
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Media ID 36291298
© Heritage Art/Heritage Images
Amorini Cherubim Daumier Honore Daumier Honore Victorin Dead Dead Body Dying Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Pagan Paganism Pagans Pope Triumph Triumphal Triumphant Angelic Cherubs Lithotint Parody Putti Roman Catholicism Satirical
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EDITORS COMMENTS
Le Triomphe du Paganisme," a captivating lithograph by the renowned French artist Honore Daumier, painted in the 19th century, offers a thought-provoking commentary on the decline of Christianity and the resurgence of paganism. The image depicts a dead or dying man, clad in a hat labeled "The Religious Universe," surrounded by amorini, or cherubs, and putti, or angelic beings. The man's pallid complexion and vacant expression convey a sense of defeat and decay, while the mischievous grins and playful poses of the putti seem to mock the dying man's faith. Daumier, a master of satire and caricature, uses this powerful visual language to critique the Catholic Church and the waning influence of Christianity in France during the 19th century. The black and white lithograph, with its stark contrasts and intricate details, invites viewers to ponder the role of religion in society and the human condition. Originally created as a lithotint, this print is now a cherished piece of heritage art, housed in the prestigious National Gallery of Art in Washington D.C. The image's enduring appeal lies in its ability to provoke thought and spark conversation about the complex relationship between religion, art, and the human experience. Whether viewed in person at the gallery or as a print in an art center or private collection, "Le Triomphe du Paganisme" continues to captivate and inspire audiences with its wit, humor, and profound commentary on the human condition.
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