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Les Joueurs De Bouchons, 1919. Artist: Jean Veber

Les Joueurs De Bouchons, 1919. Artist: Jean Veber


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Les Joueurs De Bouchons, 1919. Artist: Jean Veber

Les Joueurs De Bouchons, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

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Media ID 15464562

© The Print Collector / Heritage-Images

C G Holme Cg Holme Cork Game Geoffrey Geoffrey Holme Holme Jean Jean Veber Throwing Pastime Veber


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> Arts > Artists > V > Jean Veber

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Modern art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Modern art pieces

> Europe > France > Le Mans


EDITORS COMMENTS
In this print titled "Les Joueurs De Bouchons, 1919" we are transported back to the vibrant atmosphere of a bar in early 20th century France. Created by the talented artist Jean Veber, this woodcut beautifully captures a moment of camaraderie and leisure. A group of men can be seen engrossed in an intense game of bouchons, a traditional French pastime involving throwing small corks at a target. Their focused expressions reveal their determination to win as they skillfully aim for the bullseye. The monochrome palette adds depth and texture to the scene, emphasizing every detail from the dimly lit room to the intricate woodwork on the bar counter. The composition exudes a sense of nostalgia, transporting us back to an era when such simple pleasures brought people together. It is fascinating how even without color, Veber manages to convey emotions through his masterful use of light and shadow. This particular print comes from "Modern Woodcuts and Lithographs by British and French Artists" compiled by Geoffrey Holme in 1919. Its inclusion in this collection speaks volumes about its artistic significance during that time period. As we gaze upon this remarkable artwork today, it serves as both a visual delight and a historical artifact that allows us to appreciate not only Veber's talent but also provides insight into the social fabric of early 20th century France.

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