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Les maris ne sont pas ce qu'un vain peuple pense!, 19th century. Creator: Honore Daumier
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Les maris ne sont pas ce qu'un vain peuple pense!, 19th century. Creator: Honore Daumier
Les Divorceuses - Les maris ne sont pas ce qu'un vain peuple pense!, 19th century.
Husbands are not what a vain person thinks
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Media ID 36315666
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Caricatures Cartoons Daumier Honore Daumier Honore Victorin Family Life H Daumier Honore Daumier Honore Victorin Daumier Husband Lithographic Wives Lithotint Parody Satirical
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Les maris ne sont pas ce qu'un vain peuple pense!
EDITORS COMMENTS
, or "Husbands are not what a vain person thinks!", is a powerful and satirical lithograph created by the renowned French artist Honore Daumier in the 19th century. This work of art, part of the series "Les Divorceuses" or "The Divorcees," offers a humorous yet insightful commentary on the complexities of marriage and gender roles during the time. Daumier masterfully employs the medium of lithography to depict a scene of marital discord. In the image, a husband, dressed in a disheveled suit and a scowl on his face, sits at a table, surrounded by a group of women, each expressing various emotions of frustration, anger, and amusement. The women's gestures and facial expressions add to the overall sense of tension and chaos. The title of the work, "Husbands are not what a vain person thinks!", highlights the artist's intent to challenge societal perceptions of men and their roles within marriage. Daumier's caricatured depiction of the husband as a bumbling, clueless figure contrasts sharply with the women's assertiveness and intelligence, subverting the traditional gender roles of the time. This monochrome masterpiece, with its intricate lettering and detailed illustrations, is a testament to Daumier's skill as an artist and his ability to use satire to provoke thought and conversation. The work has been exhibited in numerous galleries and art centers around the world, including the National Gallery of Art in Washington, D.C. "Les maris ne sont pas ce qu'un vain peuple pense!" remains a fascinating and thought-provoking piece of 19th-century art, offering a glimpse into the complexities of marriage and the societal norms of the time. Its enduring appeal lies in its ability to challenge perceptions and provoke conversation, making it a must-see for anyone interested in the history of art and the human condition.
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