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A Lion in the Path!, 1882. Artist: Joseph Swain

A Lion in the Path!, 1882. Artist: Joseph Swain


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A Lion in the Path!, 1882. Artist: Joseph Swain

A Lion in the Path!, 1882. The British Lion is prepared to protect British interests. A nationalist uprising in Egypt had been led by Colonel Arabi in protest against European influence in Egyptian affairs. In June 1882, many Europeans died during riots in Alexandria. On the 11th July 1882, the British fleet went into action, whilst the French fleet refused to cooperate. One of the key concerns of the British was to preserve the security of the Suez Canal. From Punch, or the London Charivari, July 15, 1882

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Media ID 14831785

© The Print Collector / Heritage-Images

Arabi Arabi Pasha Canal Foreign Affairs Foreign Policy Heritage Image Partnership John Tenniel Joseph Swain Lion Pasha Sir John Tenniel Suez Canal Swain Tenniel


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Alexandria

> Africa > Egypt > Suez

> Arts > Artists > T > John Tenniel

> Europe > United Kingdom > England > London > Politics > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
This print titled "A Lion in the Path!, 1882" by Joseph Swain takes us back to a significant moment in history. The image showcases the British Lion, symbolizing the strength and determination of the British Empire, ready to protect its interests during a turbulent time in Egypt. In 1882, an uprising led by Colonel Arabi erupted in protest against European influence in Egyptian affairs. Riots broke out in Alexandria, resulting in numerous European casualties. Faced with this unrest and driven by their desire to safeguard the vital Suez Canal, which served as a crucial transportation route for trade and military purposes, the British fleet took action on July 11th. Interestingly, while Britain acted decisively, the French fleet chose not to cooperate. This thought-provoking cartoon from Punch magazine reflects both political satire and social commentary prevalent during that era. It highlights how foreign policy and foreign affairs played a pivotal role in shaping global dynamics during the 19th century. Joseph Swain's engraving skillfully captures this historical event through intricate details and monochrome aesthetics. The black-and-white composition adds depth and intensity to this powerful scene. As we observe this heritage image partnership between Arabi Pasha, John Tenniel (the creator), and Joseph Swain (the artist), we are reminded of how art can serve as a medium for storytelling even beyond its commercial use.

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