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Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", 1906. Creator: Winsor McCay. Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", 1906
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Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", 1906. Creator: Winsor McCay. Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", 1906
Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", 1906
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Brush Drawing Comic Comic Strip Graphics Hot Air Balloon Page Panel Panels Paper Board Paperboard Air Transport Pen And Ink Drawing
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I don't like this, one little tiny bit, not one tiny weenie bit
EDITORS COMMENTS
: This image is a vintage print of a panel from Winsor McCay's renowned comic strip, "Little Nemo in Slumberland," published in 1906. The panel showcases Nemo, a young boy, expressing his displeasure with an unusual hot air balloon ride in Slumberland, a fantastical dream world filled with whimsical and bizarre creatures. McCay's masterful use of pen and black ink and brush over graphite on two joined sheets of paperboard creates a stunning contrast between the white and black elements, resulting in a visually striking and dynamic image. This panel is a testament to McCay's exceptional artistic abilities and his innovative approach to comic art during the early 1900s. The scene unfolds in the dreamlike realm of Slumberland, where the rules of reality are suspended, and the imagination runs wild. Nemo's hot air balloon ride takes him on an adventure through the clouds, accompanied by a menagerie of fantastical creatures, some friendly and others less so. In this panel, Nemo's frown and the ominous clouds surrounding him convey his unease and apprehension. This print is a valuable piece of American cultural heritage, reflecting the country's rich artistic history and the evolution of comic strips as a popular form of storytelling and entertainment. The National Gallery of Art in Washington, D.C., is just one of the many prestigious institutions that have recognized the significance of Winsor McCay's work and have included it in their collections. This print is a must-have for any serious art, comic, or cultural history enthusiast.
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