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Lord Canning, Viceroy and Governor General of India, from March 1856 to March 1862, 1860

Lord Canning, Viceroy and Governor General of India, from March 1856 to March 1862, 1860


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Lord Canning, Viceroy and Governor General of India, from March 1856 to March 1862, 1860

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Media ID 20172196

© Heritage Art/Heritage Images

1st Earl Canning British India British Raj Canning Canning Charles Canning Charles John Earl Canning Lord Charles Canning Charles Canning 1st Earl Canning Charles John Charles John Canning Correspondence Earl Canning Governor Governor General Governor General Of India Imperialism Letter Lord Lord Canning Shimla Simla The Raj Viceroy Viceroy Of India Albumen Silver Print British Empire


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> Animals > Insects > Butterflies > Viceroy

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> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

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> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This black and white albumen print captures a moment in history, showcasing Lord Canning, the Viceroy and Governor General of India from March 1856 to March 1862. Taken in 1860, this portrait exudes the power and authority that Canning held during his tenure. Lord Canning is depicted as a distinguished gentleman, reading a letter with great concentration. His piercing gaze reflects his deep involvement in governing British India during the height of the British Empire's influence. The photograph highlights his role as an imperial figurehead, responsible for overseeing the vast territories under British rule. The location of Shimla (also known as Simla), where this image was taken, adds to its significance. Shimla served as the summer capital of British India and became a hub for political activities during Lord Canning's time. This photograph offers us a glimpse into both his personal life and professional duties. Preserved by The Metropolitan Museum of Art, this nineteenth-century albumen silver print showcases not only Lord Canning but also serves as a testament to early photography techniques. Its monochromatic tones evoke nostalgia while capturing an important chapter in colonial history. As we admire this image by an unknown photographer, we are reminded of the complex dynamics between Britain and its colonies during that era – imperialism personified through one man's portrait.

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