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Madame Carpeaux en déshabillé, between 1873 and 1874. Creator: Jean-Baptiste Carpeaux
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Madame Carpeaux en déshabillé, between 1873 and 1874. Creator: Jean-Baptiste Carpeaux
Madame Carpeaux en deshabille, between 1873 and 1874
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Media ID 36238361
© Heritage Art/Heritage Images
Arm Chair Armchair Artists Family Artists Model Artists Wife Canvas Material Carpeaux Jean Baptiste Darkness Dressing Gown Jean Baptiste Carpeaux Jules Carpeaux Long Hair Long Haired Model Shadow Shadows Paris Museums Petit Palais
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Madame Carpeaux en Déshabillé," a captivating oil painting by the renowned French sculptor and painter, Jean-Baptiste Carpeaux, created between 1873 and 1874. This masterpiece showcases Carpeaux's wife, Amélie, in an intimate and unconventional setting. Amélie is depicted in a simple dressing gown, her long, dark hair cascading down her shoulders, as she sits in an ornate armchair, surrounded by the shadows of a dimly lit room. The painting's rich color palette, dominated by shades of grey, adds to the somber and introspective mood. The Baroque-inspired armchair, with its intricate carvings and plush fabric, contrasts sharply with the stark nakedness of Amélie, challenging societal norms of the time. The painting's title, "Madame Carpeaux en Déshabillé," translates to "Mrs. Carpeaux Undressed," further emphasizing its audacious nature. The painting is a testament to Carpeaux's skill as both a sculptor and a painter. The use of oil on canvas allows for a level of detail and texture that brings Amélie to life, capturing the subtle curves of her body and the delicate folds of her dressing gown. The painting's location in the Petit Palais in Paris, one of France's most prestigious museums, attests to its enduring significance in the history of art. "Madame Carpeaux en Déshabillé" is a rare glimpse into the personal life of a famous artist and his wife, offering a glimpse into the world of the 19th-century French artistic community. Its bold composition and unconventional subject matter continue to intrigue and inspire art lovers and scholars alike, making it a must-see for anyone interested in the history of art and the human form.
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