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Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven
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Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven
Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Found in the collection of the Louvre. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950613
© The Print Collector / Heritage-Images
Augustine Augustine Of Canterbury Chromolithograph Crosier Crozier Filippo Filippo Lippi Florence Florentine Fra Filippo Lippi Fra Lippo Lippi Franz Franz Kellerhoven Halo Kellerhoven Lippi Lippo Lippi Mantz Paul Paul Mantz Print Collector12 Saint Augustine Saint Mary St Augustine St Mary Stella Maris The Virgin Mary Virgin Mother Archway Mother Of God Virgin And Child
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EDITORS COMMENTS
This print showcases the exquisite artwork titled "Madonna and Child with St Fredianus and St Augustine" created by Franz Kellerhoven in 1437-1438. The print, found in the esteemed collection of the Louvre, is a reproduction from Paul Mantz's book "Les Chef D oeuvre de la Peinture Italienne" published in Paris in 1870. The painting depicts the Virgin Mary tenderly holding baby Jesus while being accompanied by two saints, St Fredianus and St Augustine. Set against a backdrop of stunning architectural features, this Florentine masterpiece captures the essence of Renaissance art. The vibrant colors and intricate details bring to life the religious significance of this piece. The Madonna's halo radiates divine light as she cradles her son with love and devotion. St Fredianus kneels before them, offering his crosier as a symbol of faith, while St Augustine stands beside him deep in contemplation. Filippo Lippi's influence on Kellerhoven's work is evident through his meticulous attention to clothing and robes that drape gracefully over each figure. This harmonious composition beautifully portrays motherhood, spirituality, and medieval Christianity. As we gaze upon this chromolithograph print from the late nineteenth century by Franz Kellerhoven, we are transported back to fifteenth-century Italy where artistry flourished alongside religious devotion. It serves as a testament to the enduring power of artistic expression throughout history.
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