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The Mahasiddha (Great Adept) Luyipa, early 17th century. Creator: Unknown

The Mahasiddha (Great Adept) Luyipa, early 17th century. Creator: Unknown


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The Mahasiddha (Great Adept) Luyipa, early 17th century. Creator: Unknown

The Mahasiddha (Great Adept) Luyipa, early 17th century

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Media ID 36346900

© Heritage Art/Heritage Images

Mahasiddha Nepal Siddha South And Southeast Asian Art South Asian South East Asia Southeast Asia Southeast Asian Terra Cotta Terracotta


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> Arts > Contemporary art > Sculpture > Ceramic sculptures

> Asia > Nepal > Related Images

> Historic > Ancient artifacts and relics > Ancient pottery

> Historic > Ancient artifacts and relics

> North America > United States of America > Related Images


EDITORS COMMENTS
This exquisite 17th century terracotta sculpture depicts the Mahasiddha (Great Adept) Luyipa, a revered figure in Buddhism, particularly in Nepal and South East Asia. The Mahasiddhas were enlightened beings who are believed to have attained spiritual realization through unconventional means, often depicted in art as possessing supernatural abilities. Luyipa is shown here in a meditative posture, with his right hand in the mudra of teaching and his left hand in the mudra of dispelling fear. His serene expression and tranquil demeanor convey a deep sense of inner peace and wisdom. The origins of this sculpture are uncertain, but it is thought to have been produced in Nepal or South East Asia during the 17th century. The intricately detailed terracotta material and the vibrant colors used to decorate the figure suggest that it was created for use in a religious context, perhaps as part of a larger installation or altar. The sculpture's intricate details, such as the folds of Luyipa's robes and the delicate features of his face, demonstrate the skill and artistry of the unknown artist. This sculpture is an important example of the rich artistic traditions of South Asia and South East Asia during the early modern period. It is now part of the collection of the Los Angeles County Museum of Art (LACMA), where it is on display in the South and Southeast Asian Art galleries. The sculpture's presence in the United States serves as a reminder of the global connections and exchanges that have shaped the history of art and culture throughout history.

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