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Man being trampled by an elephant - folio from the Akbarnama, late 10th century AH/AD 16th century. Creator: Unknown

Man being trampled by an elephant - folio from the Akbarnama, late 10th century AH / AD 16th century. Creator: Unknown


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Man being trampled by an elephant - folio from the Akbarnama, late 10th century AH/AD 16th century. Creator: Unknown

Man being trampled by an elephant - folio from the Akbarnama, late 10th century AH/AD 16th century. Mughal painting, originally from a copy of the Akbarnamah, an illustrated manuscript telling the official history of the reign of the Mughal Emperor Akbar, written by Abu al-Fazl ibn Mubarak (died 1011 AH/AD 1602)

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Media ID 36370673

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Akbarnama Bleeding Blood Dying Elephant Gruesome Hand Gestures In Prayer Indian Elephant Killing Mahout Moghul Mogul Mughal Mughal Empire Prayer Praying Rampage Trampled Trampling Tusk Tusks Walters Art Museum Hindoostan Rampaging


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EDITORS COMMENTS
This haunting image is taken from a folio of the Akbarnama, an illustrious 16th century Mughal manuscript that chronicles the official history of the Mughal Emperor Akbar's reign. The scene depicts a man, likely a mahout or elephant rider, being trampled by an enraged Indian elephant. The man, in prayer and with his hands raised in a desperate plea for mercy, is surrounded by a crowd of onlookers, including women and men, who seem to be in various stages of shock and disbelief. The elephant, with its powerful tusks, stands tall and unyielding, its eyes filled with a fierce intensity. The folio, created by an unknown artist from the Shirazi school, is a poignant reminder of the inherent danger and power of these magnificent creatures. The intricately detailed painting, executed in ink and pigments on paper, is a testament to the exceptional artistic skills of the Mughal court during this period. Originally from Hindustan, now India, the folio is now housed at the Walters Art Museum in the United States, serving as a valuable piece of cultural heritage that continues to captivate and inspire audiences.

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