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March of Reform - Master of Ceremonies in the H. of Commons Improved Manners... 1837
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March of Reform - Master of Ceremonies in the H. of Commons Improved Manners... 1837
March of Reform - Master of Ceremonies in the H. of Commons Improved Manners (Much to be desired.) Arising Therefrom, 1837. Scene at the Palace of Westminster in London: Mr Pratt, Doorkeeper at the House of Commons; John Arthur Roebuck (1802-1879), MP for Bath and Sheffield; First Lord of the Admiralty Sir James Robert George Graham (1792-1861). Satirical cartoon on British politics by H.B. (John Doyle). [Thomas McLean, London, 1837]
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Media ID 19665135
© The Print Collector/Heritage Images
2nd Baronet Admiralty Alfred Alfred Ducôte Alfred Duc¶te Commissionaire Doorman Doyle Doyle John Ducote Ducote Alfred Duc¶te First Lord Of The Admiralty Graham Greeting House Of Commons James Graham John Doyle Manners Mclean Mclean T Mclean Thomas Mclean Thos Polite Politeness Roebuck Salutation Sir James Graham Sir James Robert George Graham T Mclean Thomas Mclean Thos Thos Mclean Top Hat Tophat Doorkeeper John Arthur Roebuck Mr Roebuck
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EDITORS COMMENTS
The satirical cartoon titled "March of Reform - Master of Ceremonies in the H. of Commons Improved Manners. . . 1837" captures a scene at the Palace of Westminster in London during the 19th century. The print showcases various prominent figures involved in British politics, including Mr Pratt, the Doorkeeper at the House of Commons; John Arthur Roebuck, MP for Bath and Sheffield; and Sir James Robert George Graham, First Lord of the Admiralty. Created by renowned caricaturist John Doyle (H. B. ), this artwork humorously depicts a moment where improved manners are desired within the House of Commons. The cartoon highlights their clothing and dress as well as their polite greetings and salutations. Through his clever illustrations, Doyle presents a commentary on British politics during that era. He uses satire to critique politicians' behavior and emphasizes how politeness should be upheld even within such an esteemed institution. This lithograph provides insight into not only political dynamics but also social norms prevalent during that time period. It serves as both a historical document and an artistic expression capturing the essence of early 19th-century Britain. Displayed with intricate details and wit, this print offers viewers a glimpse into an important chapter in British history while showcasing Doyle's talent for blending humor with social commentary.
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