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Three Maries, 1824. Creator: William Say
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Three Maries, 1824. Creator: William Say
Three Maries, 1824
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Media ID 36361087
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1820s 1st Century Ad Christ Antiphonetes Comforting Crucified Crucifixion Deposition Descent From The Cross Dismay Horror Jesus Of Nazareth Lying Lying Down Magdalene Mary Maria Magdalena Marie Madeleine Mary Madeleine Mary Magdalene Mary Of Magdala Mary Virgin Mezzotint Notre Dame Du Folgoet Our Lady Of Folgoet Our Lady Of Mariazell Our Lady Of Refuge Passion Of Christ Persecution Saint Magdalene Saint Mary Saint Mary Magdalene Sorrow St Mary St Mary Magdalene Stella Maris The Passion Of Christ The Virgin Mary Three Marys Upset Virgin Mother Weak William Say 1st Century Christ Jesus Mother Of God
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EDITORS COMMENTS
Three Maries: A Touching Depiction of Compassion and Grief in the Aftermath of the Crucifixion, by William Say, 1824 This evocative mezzotint print, titled "Three Maries," by British artist William Say, dates back to the 1820s and offers a poignant glimpse into the emotional depths of the Christian narrative. The image portrays three women - Mary Magdalene, Mary of Cleopas, and Mary, the Mother of Jesus - gathered around the lifeless body of Christ, who lies in a state of repose after his crucifixion. The women, depicted in full length, exhibit a range of emotions. The central figure, Mary Magdalene, is shown in a posture of deep sorrow and dismay, her hands clasped in prayerful supplication. To her left, Mary of Cleopas, with a look of profound sadness and concern, supports the body of Christ. The third figure, the Virgin Mary, cradles her son's limp form, her expression one of quiet resignation and comfort. This powerful image, which is now housed at the Los Angeles County Museum of Art (LACMA), speaks to the enduring themes of comfort and compassion in the face of suffering and loss. It is a poignant reminder of the human response to the Passion of Christ and the profound impact it continues to have on people throughout the centuries. The black and white medium of mezzotint enhances the somber mood of the scene, with its intricate tonal range and ability to capture the finest details of the figures and their expressions. The print, which is believed to be based on a painting from the Notre Dame du Folgoet in Brittany, France, is a testament to the enduring influence of Christian heritage art and its ability to evoke deep emotions and inspire reflection.
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