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Mendicancy adopted in the name of Vishnu, India, 1922

Mendicancy adopted in the name of Vishnu, India, 1922


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Mendicancy adopted in the name of Vishnu, India, 1922

Mendicancy adopted in the name of Vishnu, India, 1922. A mendicant is a monk who is a member of an order that is not allowed to own property and is therefore entirely dependent on charity. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume IV: Georgia to Italy, edited by JA Hammerton and published by the Educational Book Company (London, 1922)

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Media ID 14939478

© The Print Collector / Heritage-Images

Body Paint Cross Legged Hammerton Hinduism J A Hammerton Ja Hammerton Legs Crossed Mendicant Monk Monks Peoples Of All Nations Stringed Instrument Vishnu Hindoostan Print Collector7


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> Europe > Italy > Posters


EDITORS COMMENTS
This photo print, taken in India in 1922, depicts a mendicant monk immersed in the spiritual devotion of Vishnu. The image showcases the profound commitment of this religious figure who has adopted a life devoid of material possessions and relies solely on charity for sustenance. Sitting cross-legged with his legs gracefully intertwined, the monk's body is adorned with intricate patterns created by vibrant body paint. In one hand, he holds a sacred book that serves as his guide to enlightenment and salvation. With utmost dedication, he skillfully plays a stringed musical instrument, producing soul-stirring melodies that resonate through the air. This harmonious act not only brings solace to his own heart but also carries forth an ethereal message to all those who witness it. The photograph captures not just an individual moment but represents centuries-old traditions deeply rooted in Hinduism. It offers us a glimpse into the rich cultural heritage of India – a land where spirituality intertwines seamlessly with everyday life. Through this image, we are transported back to early 20th-century India; its monochrome tones evoke nostalgia for an era long gone yet still preserved within these pages. As we contemplate this serene scene, we are reminded of the power of faith and devotion that transcends time and connects people across continents and generations. This remarkable piece from "Peoples of All Nations" curated by JA Hammerton invites us to appreciate both the artistic beauty captured within its frame and the profound significance it holds within Indian literature and

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