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Mexican, from Worlds Dudes series (N31) for Allen & Ginter Cigarettes, 1888

Mexican, from Worlds Dudes series (N31) for Allen & Ginter Cigarettes, 1888


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Mexican, from Worlds Dudes series (N31) for Allen & Ginter Cigarettes, 1888

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Media ID 19985724

© Heritage Art/Heritage Images

Allen And Allen And Ginter Allen Ginter Comic Comical Dude Fashionable Ginter Ginter Allen Mexican Mexico Sombrero Stereotype Stereotypical Stereotyping Style Stylish Tobacco Company Trade Card Parody Satirical


FEATURES IN THESE COLLECTIONS

> Arts > Pop art > Satire > Satirical artwork

> Historic > Historical fashion trends > Victorian fashion trends

> Historic > Victorian era fashion

> North America > Mexico > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This vibrant lithograph print from the late 19th century captures a comical portrayal of a Mexican man, part of the renowned Worlds Dudes series by Allen & Ginter Cigarettes. The image showcases a satirical take on fashion and style, depicting the stereotypical attire associated with Mexicans during that era. The man in this portrait is dressed in colorful clothing, reflecting the rich heritage and culture of Mexico. He wears a traditional sombrero atop his head, adding to the stereotype often associated with Mexican people at that time. Despite its humorous undertones, this artwork offers insight into societal perceptions prevalent in 1888 America. Allen & Ginter Cigarettes used these trade cards as promotional tools rather than for commercial purposes. This particular card aimed to capture attention through its exaggerated depiction while also highlighting different cultures around the world. Displayed at The Metropolitan Museum of Art (The Met), this lithograph represents an important piece of American history and serves as a reminder of how stereotypes were perpetuated through popular media during that period. It invites viewers to reflect upon past attitudes towards diverse communities and encourages dialogue about cultural representation. As we observe this artwork today, it is essential to acknowledge its historical context while appreciating it as an artifact representing both artistry and social commentary from over a century ago.

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